Unexpected Connections To The Past

Tim and I went to grad school at WSU in Pullman. Friday He rang me to say he was on his way to Pullman. One of his former students was having their thesis show. We caught up and reminisced. I can’t believe that it has been 20 years since I had my thesis show.

On Saturday I received a letter and the following newspaper clipping from Mark, my friend from my days at Ohio State. He saw the article and remembered how excited I would get whenever I opened a kiln to see what the kiln gods gave me.

Soda-Fired Article

Hearing from Tim, reading Mark’s letter, and seeing Dustin Harris’ soda-fired piece brought back memories of my own past firing experiences and my year as a research assistant working for Ann Christenson on her vapor glazing project.

Phone call and letter, coincidence and connections. I am fortunate to have such thoughtful friends.


Ann’s Work

More of Ann’s work can be viewed on her website.


Tim’s Work

An image from Tim’s Figures in Landscape series. You can see more on his website.


Dustin Harris Piece

More of Dustin Harris’ work can be seen here.


Penn Artifact Lab

Last night I was thinking about how to age and hang a piece, so I did a google search for combinations of encaustic, wool, cotton, twine, rope, encased in plaster, and hit the Penn Artifact Lab. It is a working conservation space that can be viewed by visitors with a blog component. How cool is that?

While I was in Maryland, I spent part of a day at the Smithsonian Natural History Museum. The museum has the FossiLab where you can watch folks working. The access to part of the process of conservation adds another aspect to the exhibitions.

Back to my search. I found this description–

“After prying some of the loose plaster away, I found that luckily, the plaster seen around the outside of the painting is only a thin skim coat layer, and that paper was used as a barrier layer in places between the painting and the plaster.”

plaster


I looked around a bit and found so many interesting and amazing images of artifacts. Ran across this bit on a coffin and cedar–

“Cedar is a prized wood because the trees produce chemicals that make them resistant to insect damage and various forms of rot.

I documented the appearance of the board, noting its construction details, such as four wooden pegs and mitered edges. One curious feature was thin metal ribbons running in channels along the long axis of the board.”

coffin detail


Cedar is one of my favorite materials. It is soft, easy to carve, can be yellow or pink in color, stains nicely for my purposes, and it has a great fragrance. I originally started using it when I was making Tools for Rent a series of bronze daggers.

Tools for Rent-Anzen

I was in the hardware store looking for some wood to build boxes when I was hit with the memory of opening my mother’s cedar chest. Got to thinking about the arbitrary value of an individual based on the contents of a box and how that compares to the arbitrary value placed on art. And I really like the fragrance.


Back to my search. I found this image of a bone awl. It is so clean, lovely, and elegant.

bone awl


Folks listed on the Artifact Lab blog–
Project Conservator Molly Gleeson
Senior Conservator Lynn Grant
Conservators Julia Lawson and Nina Owczarek

Penn Museum’s Egyptian Section curators
Curator Dr. David Silverman
Associate Curators Dr. Josef Wegner and Dr. Jennifer Wegner

The Artifact Lab and the Penn Museum blogs have great detailed information. I just subscribed to both.


Mix of Stuff 16 February 2012

Today I was asked to make a red target icon that doesn’t look like the target used by Target. I googled archery targets to get a notion of what might be visually expected. I didn’t remember that the center of a target could be yellow.

Whenever I perform searches for work projects, I often receive hits that are of personal interest. Today I found arrows at the Museum of Anthropology, the University of Missouri. I made several series based on weapons, so I’m always delighted to see lovely artifacts that also have a dark edge to them. I especially like sharp pointy objects.

Arrows1Arrows2

According to the site the artifacts are Javanese target arrows. The description states that the shafts are made of bamboo, a material that I have used quite often in my work. I found that it was a bit difficult obtaining the surface that I wanted until I hit on using heat. Beware though, bamboo can catch fire from the inside. Before you know it, your piece can be aflame.

I chose to use bamboo because it is a prolific grower, its cultural myths, and its use in a variety of rituals.

After I finished the icon job, I went out to water a newly planted hellebore. I noticed that the bottlebrush in the courtyard apparently doesn’t like its location. It is thrusting out from the house and in doing so appears to be using a bunny ornament as a support.

Weight

When I went back to proofing the database of thousands of words, I found a couple of interest–

antemeridian
of, relating to, or taking place in the morning

antefix
carved ornament at the eaves of a tile roof concealing the joints between tiles


When is a Piece Done?

I thought that I completed “Preservation and Collection” at the end of 2010. After the work was returned from a show at Western Nevada College, I hung it in my office, above and slightly to the left of my monitor. I specifically hung the piece so that it would loom in the periphery. That it could seep into view when my mind was on another task.

Preservation and Collection

A few days back I realized that the piece made me terribly uncomfortable. It was hung a tad higher than when it was exhibited and didn’t have great lighting, but I couldn’t see what was inside the cups.

Preservation and Collection

I spent loads of time making the cups and the bags filled with poison plant bits. But there was too much distance from the cups to experience the work the way it was intended.

I liked the idea of the 3×3 format–its reference to a nine patch quilt, but the result wasn’t right. I removed the cups and shelf from the wall. I will make new homes for the cups, but I haven’t yet worked out the details. Pretty sure that the cups will be happier hung together, in several separate and open shelves rather than in their original presentation.

Hanging pieces in close proximity was a great lesson I learned from Sharon Tetly. Sharon teaches at Western Nevada College and offered me the exhibition in the College Gallery. My work is rather small and intimate and the space is long and narrow. I was concerned that the work would be lost. Sharon grouped pieces–which I felt emphasized the intimate nature of them wihtout the loss of their autonomy.

Preservation and Collection

Sharon’s presentation of my work offered me a new viewing experience.

The photos were taken by Sharon Tetly.