Archive for the ‘Books’ Category

Anni Albers on Weaving Text

Thursday, October 11th, 2018

I was looking for the text, Anni Albers on Weaving at Archive.org, but it wasn’t available on that site.

I googled the title and followed a link to Monoskop. Information from their About page, “Monoskop is a wiki for collaborative studies of the arts, media and humanities.”

I found loads of interesting information and a pdf of Anni Albers on Weaving text. It is not the expanded edition that is currently available for purchase online.

I searched for Anni Albers on the Monoskop site and found a link to a 1968 oral history interview. Followed the link to Smithsonian Archives of American Art.

Image of the text from the The Josef & Anni Albers Foundation site.

Anni Albers on Weaving Text Image

Added the Anni Albers on Weaving Expanded Edition to my Amazon wishlist.


Funny How Connections Happen

Tuesday, April 3rd, 2018

When I visited my family in SC, I spent time wandering around and taking photos of plants, interesting textures, possible art making materials and processes, and things that struck me as odd.

Moss

As soon as I saw the moss growing on the grate inside a free standing wood burning fireplace, Don McLean’s American Pie started looping through my mind. Especially the line: moss growing fat on a rolling stone.

And while writing this post, again the song is swirling though my mind.

Not being a sit around a fire person, I had to google the proper term for the fireplace. It is a chimenea. According to Wikipedia this is the definition for chimenea.

A chimenea /tʃɪmɪˈneɪ.ə/, also spelled chiminea (from Spanish: chimenea means chimney), is a freestanding front-loading fireplace or oven with a bulbous body and usually a vertical smoke vent or chimney.

So, a wood burning chimney. Odd that moss found its way to growing inside the chimenea. It is sitting on a concrete patio in daily full sun. The chimenea must offer enough shade and protection to prevent the death of the moss.

Moss

Sad that the moss will be destroyed the next time the chimenea is lit.

Don McLean’s American Pie was popular when I was in high school. So much so, my high school English teacher thought it would be cool to decipher its lyrics. The result, even today I remember the bulk of the lyrics for the 8 minute 36 second song.

More connections–I remember my best friend from high school who died suddenly five years ago. Not in a plane crash, but he was the director of my hometown airport. Connections of all sorts can be found when you least expect it. Certainly wasn’t thinking about him when I started this post, but it would have been something I would have shared with him. He would have understood my moss/song connection. We would have talked about the song. When we first heard it. And other reminiscing.

Thinking about my friend, reminded me of a Henning Mankell quote from one of his Kurt Wallander books, Firewall.

Who was left who connected him to his earlier life?

Washington Post article about American Pie written by Justin Wm. Moyer.


Washington State University Alumni Magazine

Tuesday, February 6th, 2018

I received my MFA from Washington State University in Pullman, WA. While there, I was using cuttings from trees and plants in my mixed media work. I became a bit familiar with some of the folks in the Horticulture Department when I was looking for potential sources for art materials. Not only did I find great materials, I also found starts of numerous plants that I grew in my studio.

While I was traveling over the weekend I read the Washington State Magazine Summer 2017 issue. The magazine is full of interesting information about folks at WSU and alumni. Since I have been caring for Monarchs in my gardens, I specifically wanted to read the article about Monarchs.

After reading a number of interesting articles, I read an article on the Newsmedia page about Linda Chalker-Scott’s book, How Plants Work: The Science Behind the Amazing Things Plants Do (Science for Gardeners).

How Plants Work Book

I read the excerpt available on the amazon site and decided to purchase the kindle version of her text. Even though I love books, especially beautiful Timber Press books, I didn’t want to wait 2 days for delivery.

Linda Chalker-Scott also posts on the Garden Professors blog. After reading a couple of posts, decided to subscribe.


Not a Contemporary Tablet

Sunday, September 24th, 2017

Last night I took a look at the book, Making Books That Fly, Fold, Wrap, Hide, Pop Up, Twist, and Turn. I bought it several years back when the nieces and nephews were young.

There was a single dog-eared page with the header, A 3300-Year-Old Time Capsule. According to the text, in the 1980s George Bass and a team of archeologists excavated the site of the Uluburun ship wreck off the coast of Turkey. The 3300 time capsule was a diptych.

Curious, so I googled George Bass and Uluburun ship wreck. I found additional, more complete information on the diptych in a Johns Hopkins Magazine article from 1997.

Sifting through mud that had filled a huge storage vessel, Cemal Pulak, then one of George Bass’ grad students, found fragments of wood and pieces of ivory. He pieced them together and discovered that they formed a diptych, a sort of ancient writing tablet that consisted of two wooden leaves hinged together with ivory. The leaves would have been coated with beeswax that then could be inscribed with a stylus. No one had ever before found a diptych so old.

After reading about the diptych, I then searched online for an image. This image was found on a page associated with Dr. Deborah Carlson and Jose Luis Casaban’s Introduction to Nautical Archaeology at Texas A & M University.

Uluburun diptych

Not keen of the ivory bits, but liked the idea of scratching through a surface. It is a lovely piece.

I did not continue the search to find the method used to assemble the pieces, but would have been amazing to do something similar to the staples used in some restoration.

Past Imperfect

This is an image from Past Imperfect

Past Imperfect has images of beautifully repaired objects. I am particularly fond of the glass and ceramic pieces that have been creatively repaired with the addition of a metal component.

When I made this piece as part of myTools for Rent (bronze dagger) series, I wanted to use the piece of wood for the front panel, but it was cracked. I drilled holes and wired the panel together.

Tools for Rent

The majority of my work is meant to appear to be artifact, to have had a previous life. After seeing the image of the diptych it occurred to me that in the future, I just might want to “age” the objects that I make to near the point of destruction. Then reassemble them.


Cemal Pulak, Associate Professor
Frederick R. Mayer Faculty Professor of Nautical Archaeology

George F. Bass, Professor Emeritus
Texas A&M University

Nautical Archaeology Program

Gwen Diehn, author
Making Books That Fly, Fold, Wrap, Hide, Pop Up, Twist & Turn: Books for Kids to Make


Crassula and Hydathodes

Saturday, July 15th, 2017

I am currently reading Fred Dortort’s book, The Timber Press Guide to Succulent Plants of the World: A Comprehensive Reference to More than 2000 Species.

The book is filled with interesting information and loads of gorgeous images of plants. I was curious about hydathodes. The description from the book follows: their leaves are dotted with hydathodes, a kind of pore that enables wet-growing plants to expel water, but which dry-growing crassulas have reversed, turning them into water-absorbing organs.

I can visualize, but what do hydathodes really look like?

When I was editing photos for a previous post, I noticed what appeared to be pin pricks on the leaves of my new addition, a Crassula capitella Red Pagoda.

Red Pagoda

Example of Hydathodes on Crassula capitella Red Pagoda

It is exciting to read something interesting and then to see an example of it in person.


Trump Could Learn A Lot From Eleanor Roosevelt and Descartes

Friday, March 24th, 2017

In Eleanor Roosevelt’s Book of Common Sense Etiquette she writes about Descartes’ Discourse on Method.

“There are four simple steps by which we learn to think logically and thus communicate clearly.”

The first step–

Accept as true nothing which you do not clearly know to be so; avoid hasty judgment and prejudice.


Trump Could Learn A Lot From Eleanor Roosevelt

Thursday, March 23rd, 2017

I am reading Eleanor Roosevelt’s Book of Common Sense Etiquette. This quote seems particularly relevant.

Perhaps even more discreditable is the practice of asserting as “facts” matters which have not been proved, or using as ”evidence” something that is the product of illogical thinking and the drawing of an invalid conclusion.

Wiretapping Tweet


Spencer Byles and Andy Goldsworthy

Wednesday, December 7th, 2016

Today I ran across the work of Spencer Byles. I was not aware of Byles’ work. So, I looked at all of the images of the project, A Year in a French Forest before reading about his process and checking out his body of work.

Spencer Byles Sculpture

Sculpture No 15. from A Year in the Forest. Photograph by Liza Karakova.

This is a portion of Spencer Byles’ artist statement:

Every piece I create is a different and new experience. I work with different materials, these can be ‘man made’ or ‘natural forms’. There isn’t a common link to these other than I find I am drawn to materials that lie abandoned, or discarded.

I find that one of the most interesting things about choosing materials that have been abandoned or discarded is to integrate reference of their previous life into a new context. That doing so respects the previous life of the material. It can also act as a point of access for the viewer.

While viewing the images of Spencer Byles’ work, I of course thought about the work of Andy Goldsworthy. I love Goldsworthy’s work. It is lovely and elegant, often seeming to defy gravity, but always feeling that it somehow occurred naturally.

Goldsworthy Arch

Andy Goldwworthy Woven Branch Circular Arch, Dumfrieshire, 1986. The image was found here.

Some of the materials that Goldsworthy uses include: large rocks, ice, branches, and even leaves. I have not seen any of Goldsworthy’s work in person, but suspect if you are lucky to happen on one of his works what would occur is what folks write about when they use the phrase, startles the soul.

There are several books of images of Andy Goldsworthy’s work. I only own two: Hand to Earth: Andy Goldsworthy Sculpture 1976-1990 and Wall.

To see more images of his work, check out the Andy Goldsworthy Digital Catalogue.

There is also River & Tides, a great video about Goldsworthy’s work. It is available to rent on Netflix, and to rent or purchase on Amazon.


Lichens and Glazes

Monday, July 4th, 2016

When my chosen medium was clay, I used a lot of layered, often gritty glazes. In the back of my mind always thinking lichens.

Today when I was sweeping the deck, to my delight I found this piece has actual lichens growing on the surface.

Sculpture on Deck

Sculpture on Deck with Lichens

The piece was made in a class at Ohio State in the early 80s. The clay is a buff colored sculpture body with some nice aggregate. The piece was bisque fired to cone 5. A cone 05 lithium blue glaze was applied for the base color. Then low-fire lead glazes were applied. The last fired to cone 015.

The piece has been on the deck since 1994. It looks so much better with the addition of lichens.

Sculpture on Deck with Lichens

If interested in viewing lichen glaze surfaces, check out Lana Wilson’s work. Lana’s text, Ceramics: Shape and Surface has some great information for the beginner; and it also has loads of information on how to achieve gorgeous glaze surfaces. The text is available on Lana’s website.


A note about my use of lead glazes. Yes, they are gorgeous low-fire glazes. But lead is potentially dangerous. I haven’t been used lead glazes for several years. Since I have been attempting to use safer materials and processes, I reluctantly decided to remove all potentially toxic ceramic materials from my studio. I had quite the stash. I was fortunate that during the yearly clean-up, the materials were accepted for disposable without cost.

Did I really remove all of the lead from my studio? Well, I did keep a small bag of a leaded frit, just in case. I also found a small sheet of lead that I kept. It is a lovely soft material. I used it to line and wrap portions of boxes.

Lead Detail

Detail of a piece in my Make Your Own Luck series.
The vertical section is wrapped in sheet lead.
The nest-like material is lead wool.
The three objects are whole nutmeg.
Nutmeg was used for luck.
If consumed it could be deadly.


Books and the Book Series

Tuesday, February 2nd, 2016

Books have always been a part of my life. When we were children, my mother would take us to the library. When I was in college I would spend part of a day each week wandering through the stacks. After grad school, I started my library. I have nearly 1,500 books. There are books on art, artists, film, graphic design, gardening, horticulture, novels, children’s books, textbooks, and miscellaneous books on random topics.

I love reading, the way books feel in my hands, turning the pages, the fragrance of paper and ink. I was taught to respect books, but then something happened. I found that I really liked underlining. That grew to writing in the margins and using any white space to record ideas for possible work. Then I started folding corners and pages.

Books

When I open one of my books to locate a quote or some notes that I have made, it is quite enjoyable to revisit the story, to read a few pages or several chapters. To remember the first time that I read the book.


I resisted reading e-books. My iPad is thin, slippery, and has a bit of glare. How would I dog-ear pages, write in the margins, underline…

I tried reading a few books on my iPad and in doing so found that I could customize the text. I could make the text large enough that I no longer needed to wear glasses. I also found that I quite like reading light text on a black background. And I could read in the dark.

Then I found how easy it was to highlight, bookmark, and make notes. I could download the lot from amazon. A few adjustments to the downloaded file and I could import the text into my database of quotes and phrases. Yep, I have a database of words, phrases, quotes.


I have thought about making books, but one thing always stopped me. What will be on the pages? The thought of an empty book, seemed incomplete. I actually attempted constructing a few books over the years.

Twig Books

A couple of books constructed of materials collected from nature, fabric, paper, copper wire, and waxed linen cord. I saved a couple to remind myself why they did not work.

I also made a series of small books constructed of hardware cloth covers coated with Egyptian Paste. The covers were fired to cone 016. Hot enough for the clay to mature, but not hot enough to melt the hardware cloth. I cut copper and aluminum flashing for the pages. I bound the pages and covers together and fired the lot.

Egyptian Paste Book

Egyptian Paste Book Open

The pages have a lovely surface, but they are still empty.


The past several years I have used coded messages in my work. It is quite enjoyable to figure out ways to put text in my work that cannot actually be read as text but is seen as pattern. Well, the text could be read if the code is deciphered. And since I am not a cryptographer, it isn’t too difficult to figure out.

Dont Detail

This is a detail of code in a work that I have since completed. I used Morse code with rust yarn for the dots, gray yarn for the dashes, and cream yarn for the spacers. The bottom left corner has gray, rust, gray which is dash-dot-dash or a k.


I have decided to revisit books again with the idea of including coded text. Each book will have a theme: connection, grief/loss, invisible/visible, kindness, memory, nature, perception/seeing, power, reflection, self, truth…

My plan was to make wool knitted and fulled pages, with stitched coded messages, and dried and stitched plant bits. I knitted all sorts of stitch patterns to see which stitches would work best.

Then something unexpected happened. I had a dream, an epiphany. In the dream rather than making books I was making pages and framing them as artifact. Framed fragments of pages would be more compatible with my body of work. Was my creative self giving me a message or was the dream a mash up of a bunch of things that I had been thinking about throughout the day? No matter, I like the idea.

I began to approach knitting differently. Rather than knitting rectangles for book pages, I wanted the pieces to be odd shaped.

E wrap Purl Cable

The top portion was knitted. The piece was removed from the loom, rotated 45º, returned to the loom, and then the cable pattern was knitted.

Top Portion
Row 1 E-wrap (each peg twice)
Row 2 Purl (wrap)

Bottom Portion (Cable)
Row 1 Knit
Row 2 Purl
Row 3 Knit
Row 4 P,P, Twist Knit, P,P, Twist Knit…

This is the back of the above piece. It is important that the back is interesting because both sides of a page can be visible.

E wrap Purl Cable


This combination of stitches is quite nice. There does seem to be some consistency in my choices. It appears that I like knot-like stitches.

Figure 8 with E-wrap

Row 1 Figure 8
Row 2 E-wrap

If after fulling, the fabric still has holes, I plan to either weave in yarn or an i-cord.


Linen Stitch

The idea was to knit a long piece, full it, and fold it in half to create a signature. Then bind several signatures together.
Row 1 K all
Row 2 K, S… K
Row 3 K all
Row 4 S, K… S

It will be fun to see how the series evolves.