Cover Code–Lies
Book Code–If we hear enough lies we no longer recognize the truth.
Materials–Paper, Cotton Fiber, Rust, Twigs.
Cover Code–Lies
Book Code–If we hear enough lies we no longer recognize the truth.
Materials–Paper, Cotton Fiber, Rust, Twigs.
It is easy peasy to make red /brown rust, but green, blue, and grey and a little tricky. Not all wire that appears to be copper works. Not all copper coated wire works.
I used a copper garden mesh that is meant to keep varmints and wormy guys away from plants. I purchased a box of the mesh years ago, but it was too thin to use as a base for embroidery.
The paper is the green mask paper typically used for house painting. I cut a long strip, accordion folded triangles, and inserted a hair pin in every crease. The result was areas of pale brown to pink with large splotches of the original green.
Today I replaced the hairpins (two holes for them to slide through) and sandwiched the paper between layers of the copper mesh. Wrapped the lot with a cotton cord. 12:33pm
Placed the lot in a solution of white vinegar, peroxide, and salt.
I flipped the bound paper several times.
Added more salt after each flip. 12:48pm
Removed the bound paper from the solution. 1:20pm
The copper is oxidized nicely. 2:41pm
Ready to view the result. 5:03pm
The dark brown lines are the hair pins.
Unrolled
Some lovely results.
Details of the wee book that I made for my sister-in-law’s birthday.
I used blank flash cards for the signatures/pages (think kids and school) and tree wrap (used for protecting trees when injured or to prevent injury) for the cover. I love that tree wrap is soft, textured, and easy to embroider. Two variegated colors of variegated embroidery floss were used for the rice stitch.
I saw a tutorial on the Rice-Stitched Book on the San Diego Book Arts Youtube channel.
The cover code is based on Morse Code. Rather than using dots and dashes I used color. The code is Happy Birthday.
I knitted an I-cord and wrapped a washer for the closure.
Each page has the person’s name and date of birth, the last a sentiment.
The code references Morse and Celtic Tree Code. I like the idea of tree code and family tree.
The signatures of the book were stitched together using the rice stitch. I used double stick tape (not sure I like it) to bind each signature together after it was stitched. Usually the signatures and not bound together so the stitchwork inside can be viewed. I don’t like seeing just two lines of thread. I like that binding makes a thicker page. In the future I am thinking about adding macrame to the inside when I use thicker paper like watercolor or handmade.
The gift tag has a piece of paste paper that I made.
Paste paper is enjoyable to make. I use a cornstarch paste with added acrylic paint. I have added milled cloves to paste for color and fragrance. Since the milled cloves seemed to work, I am planning to use some of my ceramic colorants that were used for glazes and clay bodies.
It is a joy using new materials and learning new processes and techniques. And then to figure out how to use them to make art.
I have been considering a change in format from wall and vessel to book. Thought I would start with folding so I purchased two books:
Hedi Kyle and Ulla Warchol’s text, The Art of the Fold
and
Alisa Golden’s text, Making Handmade Books.
In addition to the texts I have been following several Youtube channels:
Bainbridge Island Museum
DAS Bookbinding
Elinat Kessler
Kirsten Varga
Kit Davey
Louise Jennetta
Nik the Booksmith
The Preservation Lab
San Diego Book Arts
Trama Atelier
Vintage Page Designs
I spent a couple of weeks folding templates.
This was my first attempt folding and stitching a small book after watching Maria Rebelo on a San Diego Book Arts video.
Materials
Tree wrap, drawing paper, cotton thread, double sided tape.
Scale
3″ x 2.75″ x .5″
National Museum of Women in the Arts
I was on the 12 year plan for an undergrad degree in art. Took classes in four programs in Ohio and California. Went to grad school in Washington. I have seen more art produced by women in the past year reading #WOMENSART than in all of my years of formal art education.
The code is the word, Hope.
Materials–Roofing felt, linen fiber, watercolor paper, paste paper, PVA, oak leaves, printed text.
Scale
Closed 5.25″ x 6.25″ x .5″
Open 9.75″ x 6.25″
2022 September 14
Not happy with printed text, or copied text. My handwriting in pencil on waxed paper.
Materials–paper, fiber, pit-fired bead, oak leaves, printed text, wax, PVA
Scale: Closed 4.25″ x 1.5″ x 1.25″, Open 4.25″ x 3.25″ x .5″
Tomorrow will be the 10th anniversary of the death of my dad.
Currently researching how to make art in the book format. Thought I would try a few things and also make a little piece to celebrate my dad.
The code is based on Morse/Celtic Tree Code.
Code is Dad
Code is Date of Birth and Death
Ten Years
Lost
Not
Forgotten
Materials–Paper, paste paper, cloves, fiber, roofing felt, knife (found in Dad’s things).
4.75″ x 3″ x 1.25″
Paste paper–Recipe based on Penland video–